๐๐๐ช + ๐ก๐๐ฆ๐ #๐ฑ๐ฏ
Barrie | Tuohy | Anger | Marker | Ivens | Meckiff | Mclaren | Lambart
๐๐ฅ๐จ๐ก๐ฆ๐ช๐๐๐ ๐๐ฅ๐๐๐ก
313/315 Sydney Rd, Brunswick VIC 3056
Ticket price: $10 CASH ONLY
๐๐ฟ๐๐ถ๐๐ ๐๐ถ๐น๐บ ๐ช๐ผ๐ฟ๐ธ๐๐ต๐ผ๐ฝ is very excited to announce the comeback of our AFW+NFSA screenings. Presenting New* selected works from members of AFW and a selection of 16mm prints from NFSA.
๐๐๐ฟ๐ฎ๐๐ถ๐ผ๐ป: approx 90 mins
๐ฉ๐๐๐ฃ๐ (๐๐ถ๐ฎ๐ป๐ฎ ๐๐ฎ๐ฟ๐ฟ๐ถ๐ฒ & ๐ฅ๐ถ๐ฐ๐ต๐ฎ๐ฟ๐ฑ ๐ง๐๐ผ๐ต๐, ๐ฎ๐ฌ๐ญ๐ต, ๐ต ๐บ๐ถ๐ป, ๐ญ๐ฒ๐บ๐บ)
Valpi - is horizontally segmented, creating an immersive yet abstracted chronicle of both the multifaceted layers of human life in this place and the politico-cultural fractures hidden beneath the surface. Diana and Richard create their own hills with the use of the optical printer and show us their own โCerro Alegreโ where chileans live their lives, drive their cars, go buy groceries at the local shop, walk up and down mountains to go to work.
๐ ๐ฉ๐๐๐ฃ๐๐ฅ๐๐๐ฆ๐ข (๐๐ผ๐ฟ๐ถ๐ ๐๐๐ฒ๐ป๐ & ๐๐ต๐ฟ๐ถ๐ ๐ ๐ฎ๐ฟ๐ธ๐ฒ๐ฟ, ๐ญ๐ต๐ฒ๐ฏ, ๐ฎ๐ณ ๐บ๐ถ๐ป, ๐ญ๐ฒ๐บ๐บ)
A travelogue of Valparaiso, Chile, a city built on 200 steep hills. Life is a constant struggle against geography.
An essay film registered by Joris Ivens & narrated by poet and film maker Chris Marker.
๐ ๐ข๐ฆ๐๐๐ (๐๐๐ฒ๐น๐๐ป ๐๐ฎ๐บ๐ฏ๐ฎ๐ฟ๐ & ๐ก๐ผ๐ฟ๐บ๐ฎ๐ป ๐ ๐ฐ๐๐ฎ๐ฟ๐ฒ๐ป, ๐ญ๐ต๐ฒ๐ฑ, ๐ฒ ๐บ๐ถ๐ป, ๐ญ๐ฒ๐บ๐บ)
โMosaic (1965) constitutes another exercise in โinhumanโ geometric movement โ except for its first few frames. In the opening sequence, McLaren appears on-screen to release an elementary particle of animated energy into a void contained by the edges of the screen, rehearsing a classic gesture from the history of animation (e.g., the Fleischer brothersโ Out of the Inkwell series) in which the animator is shown giving life to forms from the flatness of ink. Partly inspired by the logic of Indian classical music, this piece generates a universe from the self-differentiation of a single โcellโ or โgermโโ
๐ฃ๐๐ฅ๐๐๐๐๐ ๐ฆ๐ฃ๐๐๐: ๐๐ก๐ง๐๐ฅ-๐ฉ๐๐๐ช (๐ฃ๐ฒ๐๐ฒ๐ฟ ๐ง๐๐ฐ๐ต๐ฒ๐ฟ๐ธ๐ฎ๐๐๐ธ๐, ๐ญ๐ต๐ต๐ฎ, ๐ญ๐ด ๐บ๐ถ๐ป, ๐ญ๐ฒ๐บ๐บ - ๐ณ๐ฟ๐ผ๐บ ๐ฏ๐ฑ๐บ๐บ ๐๐๐ถ๐น๐น๐)
INTER-VIEW was made using a still camera. The photograph produced by a 35mm camera corresponds exactly to the size of two film frames. If the negative of a photograph is projected sideways, two film frames are seen: first the upper and then the lower half of the original photographic image is projected. Its temporal and spatial unity disintegrates into pieces which then start corresponding with each other.
๐๐๐ง๐๐ฅ๐ฃ๐๐๐๐๐ฅ๐๐๐๐ง๐๐ข๐ก (๐๐ป๐ด๐๐ ๐ ๐ฒ๐ฐ๐ธ๐ถ๐ณ๐ณ, ๐ฎ๐ฌ๐ฎ๐ฎ, ๐ณ ๐บ๐ถ๐ป, ๐ญ๐ฒ๐บ๐บ)
The silent scream of rusting bush metal.
๐๐๐ฅ๐๐ช๐ข๐ฅ๐๐ฆ (๐๐ฒ๐ป๐ป๐ฒ๐๐ต ๐๐ป๐ด๐ฒ๐ฟ, ๐ญ๐ต๐ฐ๐ณ, ๐ญ๐ฑ ๐บ๐ถ๐ป, ๐ญ๐ฒ๐บ๐บ)
The inaugural film of postwar queer cinema and a watershed event in the history of the American avant-garde, Kenneth Angerโs Fireworks of 1947 is an autobiographical account of the awakening of desire.
๐๐ผ๐ฟ ๐บ๐ผ๐ฟ๐ฒ ๐ถ๐ป๐ณ๐ผ๐ฟ๐บ๐ฎ๐๐ถ๐ผ๐ป:
https://www.artistfilmworkshop.org/afw-new-selected-works...